Wednesday, April 25, 2018


What's happening at your publication? Let us know. Email editor Fred Kuhr at

COMPETE, the sports magazine based in Scottsdale, Ariz., entered its 12th year of publication with its January 2018 issue.

FENUXE, based in Atlanta, debuted a new advice column called Ask Daddy, where “anonymous Daddy supreme” explains how to handle kink.

GED MAGAZINE, based in Long Beach, Calif., published its inaugural “Bound & Back” issue in March 2018, a review of the leather scene on the West Coast over the past year.

GEORGIA VOICE, based in Atlanta, entered its ninth year of publication with its March 2, 2018, issue.

GOGUIDE, based in Iowa City, Iowa, was placed on hiatus on March 1. The publication will resume under GOGUIDE MEDIA on September 1 with its campus issue.

ROB KOHN, a reader of the WASHINGTON BLADE, won a contest sponsored by the newspaper to serve as guest ringmaster of the Big Apple Circus. The circus stopped in D.C. on March 17 and that evening’s performance was branded as “Blade Night.”

METRA, based in Madison Heights, Mich., celebrated its 39th anniversary with its March 28, 2018, issue.

OUT & ABOUT NASHVILLE entered its 17th year of publication with its January 2018 issue.

PRESS PASS Q, the only trade publication for those working in LGBT media, entered its 20th year of publication with its April 2018 issue.

UNITE SEATTLE published its premiere issue, dated March/April 2018. It is to be published bimonthly.

WORLDNOMADS.COM has released a “map of (in)tolerance,” revealing which countries are potentially danders for LGBT travellers because of legal status and societal attitudes. The color-coded map is designed to help LGBT travelers make informed decisions about where to go. You can see the full map at

Volume 20
Issue 1

Elder issues on the radar of some LGBT media

by Joe Siegel

A recently released survey by AARP shows older LGBT adults worry most about three things: having adequate family and other social support to rely on as they age, discrimination in long-term care (LTC) facilities, and access to LGBT-sensitive services for seniors.

The survey, “Maintaining Dignity: Understanding and Responding to the Challenges Facing Older LGBT Americans,” found that both gay men and lesbians have similar concerns about whether they will have enough family or other social support. However, gay men are more likely than lesbians to be single, live alone, and have smaller support systems, which may put them at higher risk for isolation as they age.

Many LGBT publications have made sure they are serving older LGBT readers by featuring issues of concern to them.

Philadelphia Gay News (PGN), for example, is the only LGBT newspaper with a regularly scheduled senior supplement, according to editor Mark Segal. In addition to the twice-yearly supplement, Segal says PGN has a regular column geared to the senior community.

The “number one issue” for LGBT seniors is housing, affordable living, and “being able to live in a safe neighborhood,” Segal said. 

Chicago’s Windy City Times has featured many columns about the issue. For one, Serena Worthington, the director of national field initiatives at SAGE, wrote, “LGBT older people are twice as likely to live alone, twice as likely to be single, and three to four times less likely to have children — and many are estranged from their families.”

Editor Tracy Baim founded a group called Pride Action Tank, which hosted a major LGBT seniors summit last summer. Windy City Times also features interviews with aging LGBT activists, including a recent cover story about Gary Chichester. Chichester co-founded the Chicago Gay Alliance (CGA) in 1971 and served as its first president until 1973. CGA later opened the first LGBT community center in the city, started a newspaper, created an LGBT library, started a helpline and was instrumental in getting the first Pride parade off the ground.

Boston Spirit magazine runs a monthly column called Senior Spirit, which is aimed at readers 55 and up.

“The column has been running for about a year and a half and is very well received,” said publisher David Zimmerman. “We work very closely with many of the organizations in the area on the content for this column. One such organization is the LGBT Aging Project, which is part of [community health center] Fenway Health. As an example, the current Senior Spirit article details a recent study on the role that stress plays in the lives of older LGBT people.”

New York-based Gay City News has also ran many stories about the obstacles LGBT seniors face, including discrimination in housing. Editor Paul Schindler wrote a February 2015 column titled, “Our Seniors Need Housing and Community.” The newspaper has also featured several “first-person” narratives about the lives of LGBT seniors.

PGN’s Segal said older LGBTs are also suffering from what he refers to as “battle fatigue.”

“Many of us, as seniors, are still dealing with how we [handled] the AIDS epidemic” in the 1980s and ‘90s, Segal said. “We were the frontlines, we saw what it was like. We watched as 600,000 people in our community died. Each and every one of us lost scores of friends, if not the ones we loved. We are still scarred by that.”

Segal noted that these are issues that much of LGBT media does not want to address. “There’s a huge amount of information out there, but unfortunately we seem to be an ageist community, so we shy away from those issues.”

Volume 20
Issue 1

Lesbian mag Curve reinvented as a quarterly

by Joe Siegel

Popular national lesbian magazine Curve has reinvented itself in a time of changing trends in readership. Most notably, the magazine will now be published on a quarterly basis instead of monthly.

Editor Merryn Johns said the move is a result of the busy lives of readers.
“They were giving us feedback that they didn’t have time” to read the magazine, Johns said.

Merryn Johns of Curve
Johns cited the increased use of social media as a factor in the decision. “What we discovered from surveys of our readers is they would enjoy a more luxurious print product,” Johns said, noting Curve has undergone a complete redesign and rebranding.

The magazine has even changed its tagline from “America’s Best Selling Lesbian Magazine” to “Living True,” which calls for readers to embrace their own sexual identities.

Curve continues its own digital presence, although that too has posed its share of problems. “We found that as a publication, we’re competing with ourselves,” Johns said.

The slower publishing schedule will also impact the editorial content, paving the way for more in-depth stories, according to Johns. “You can’t really be as deadline-driven anymore. What that means for us is [to feature] more iconic celebrity interviews, more lifestyle pieces that might be about seasonal offerings such as interior design or travel or fashion and food. And if we do any topical pieces that are politically oriented, they’re really well-researched think pieces.”

The latest cover features actress Cate Blanchette, who Johns considers an “iconic” figure in the lesbian community. There are also features on genderqueer fashion and singer Nona Hendryx. “We thought [Hendryx] was very emblematic of longevity and intersectionality,” Johns said.

So far, readers have embraced all the changes in the magazine. “We’ve had more response [to this relaunch] than we’ve ever had,” Johns said. “The e-mails, the letters, the word of mouth has been very positive for us. We’re really hoping it’s a turning point for Curve.” 

Volume 20
Issue 1

Kansas and Delaware lose LGBT media pioneers

by Fred Kuhr
The LGBT media community lost two longtime activists and LGBT media pioneers this month — Kristi Parker of Wichita, Kan.-based Liberty Press and Steve Elkins of Rehoboth Beach, Del.-based Letters From CAMP Rehoboth.

Parker, who founded Liberty Press in 1994 and continued as its editor and publisher, died March 10, after suffering a stroke two days earlier. She was 49.
Kristi Parker of
Liberty Press

Sharon “Vinnie” Reed, Parker’s former business partner and ex-wife, told the Wichita Eagle that Liberty Press will cease publication in light of Parker’s death.

“She was very knowledgeable and skilled as an accountant. And she was filled with this passion for helping and being part of the gay and lesbian community,” Reed told the Eagle. “She had this ability to be the editor, write and finance and keep the business afloat.”

Parker got into LGBT publishing after becoming co-chair of Wichita’s Pride Committee in early 1994 and was put in charge of the Pride Guide. After that success, she began publishing Liberty Press. The first issue in August of that year was 12 pages and only had five advertisers. The paper grew to average 60 pages with a print run of 5,000.

The publication’s tagline was, “We were gay before it was cool.”

Steve Elkins of Letters From
CAMP Rehoboth
Elkins, editor and publisher of Letters From CAMP Rehoboth, died on March 15 after a year-long battle with lymphoma. He was also co-founder and executive director of CAMP Rehoboth, the LGBT community center that produced the publication. He was 67.

Elkins announced in his column last month that he would be taking a medical leave of absence and that his husband and partner of 40 years, Murray Archibald, would be serving as the organization’s interim leader. That column, sadly, would be his last for the publication.

CAMP Rehoboth is an acronym meaning Creating A More Positive Rehoboth. The nonprofit, which was launched in 1991, began as a newsletter before it grew into a full-service community center by led Elkins and Archibald.

“The CAMP Rehoboth family is heartbroken at the passing of our executive director and co-founder, Steve Elkins,” the organization stated on its Facebook page. “As he did throughout his life, fighting for the rights of so many in this state, he fought lymphoma with courage and dignity until the very end."

Volume 20
Issue 1

PRESSING QUESTIONS: Focus magazine of Tennessee

Interview with Publisher Ray Rico
by Joe Siegel

Two editions:
Focus Mid-South, based in Memphis
Focus Middle Tennessee, based in Nashville

Geographic coverage area: 
Memphis, 100-mile radius
Nashville, 80- mile radius 

Year founded: 
Memphis, 2015
Nashville, 2017

Staff size and breakdown:
Managing editor Joan Allison
Contributors Sarah Rutledge Fischer, Robin Beaudoin, and Melinda Lejman
Designers Joan Allison, Ray Rico, and Daphne Butler
Digital media Chellie Bowman
Nashville, TN
Associate publisher Selena Haynes
Managing editor and layout manager Brian Goins
Contributor Lauren Means

Physical dimensions of publications:
8.375” x 10.125”

Average page count:
Memphis, 56 pages
Nashville, 32 pages

Print run: 
Memphis, 12,000
Nashville, 7,500

Web site:


PPQ: What feature or features of Focus have been the most popular with readers? 

Publisher Ray Rico: Our profiles of local unsung heroes add a special touch each issue. Also, travel stories and pets stories are popular. Finally, many of the ads are creative and follow the theme of each issue.

PPQ: Who came up with the name and what is the inspiration for it? 

Rico: I did. Focus is a word that has multiple meanings and was versatile for its purpose.

PPQ: What challenge has your publication had to overcome since its inception? 

Rico: Growing. We had to hire more staff and expand distribution outlets. We have an awesome crew and have implemented a side-business, managing magazine deliveries as a local service [to us and other local publications] to make distribution more effective.

PPQ: What challenge or challenges is Focus facing now?

Rico: We are going through a rebuild of our website and that presents new challenges with how readers will access our publication now and in the future. We have been crafting the new sites with great care and hope to expand our digital footprint more with other potential readers who have a tie back to Tennessee in either market, Memphis or Nashville.

PPQ: How has Focus changed since it was first launched? 

Rico: We developed our brand and content flow. We have also developed a protocol to launch in another market. We have plans to continue to expand in the southern region over the next year.

PPQ: What one change would you like to make? 

Rico: Educating people with our platform to give insight, decisions, and acceptance of real life issues.

PPQ: What has been the biggest news story or stories Focus has covered?

Rico: A hate crimes series. It was a three-part series covering multiple markets in Tennessee. We worked with the Matthew Shepard Foundation, local and statewide law enforcement, and the DOJ.

PPQ: On the Kinsey Scale of 0-6 [exclusively straight to totally gay], how gay is your publication? 

Rico: Hard 4. We purposely try to appeal to our allies too, since they do make up a great percentage of our readers.

PPQ: Do you see yourself as an “activist journalist”?

Rico: I do not. I see myself as a catalyst for sharing information and remain heavily active in the community. I’m more of an activist designer than journalist. 

PPQ: What's the most surprising feedback you've received from a reader? 

Rico: An LGBT youth came up to me and told me he was trans and had recently had the courage to come out to his parents. They were very confused at first but they began to read more and ask questions to learn more about their child. He told me that they love the magazine and have opened their eyes to a world where he can share experiences with them rather than his parents not having anything to do with his life. It was at a Pride event, and I had the pleasure to shake these folks’ hands and tell them, “They’re doing it right.” I’ve seen them at the last two Prides, and they always come up and say hello. Their relationship with their son is so strong, and it just makes me smile telling that story.
PPQ: What advice would you give to anyone who may want to launch their own GLBT publication?

Rico: Do your homework and make sure you’re creating something that is a viable solution to the needs of your community. Do it for the right reasons. Don’t try to make everyone happy.

PPQ: There have been a number of publications which have either downsized their staffs or ceased operations completely. Is print media dying because of the popularity of digital media platforms?

Rico: I think smart companies diversify their media and understand readers’ trends. In our markets, it is more sustainable because of our approach to showcasing diversity — the community wants it, either in print or digital. Being smart about having a digital presence is necessary. I do feel like in the South folks like to pick up a print magazine and read it though, especially visitors and travelers who identify as LGBT. It may be more old school but our high pickup rates prove it to be true. Still, offering a strong digital presence keeps the brand relevant.

Volume 20
Issue 1

Thursday, March 22, 2018


What's happening at your publication? Let us know. Email editor Fred Kuhr at

CAMP, based in Kansas City, Mo., entered its 15th year of publication with its February 2018 issue.

FENUXE, based in Atlanta, entered its ninth year of publication with its January 12, 2018, issue.

GOLIATH ATLANTA entered its fourth year of publication with its February 2018 issue.

THE FIGHT, based in Los Angeles, celebrated its seventh anniversary with its February 2018 issue.

LETTERS FROM CAMP REHOBOTH, based in Rehoboth Beach, Del., entered its 28th year of publication with its January 26, 2018, issue.

THE MIRROR, based in Wilton Manors, Fla., entered its seventh year of publication with its January 2018 issue.

OUT IN JERSEY, based in Trenton, N.J., entered its 23rd year of publication with its February/March 2018 issue.

OUTSMART MAGAZINE, based in Houston, entered its 25th year of publication with its February 2018 issue.

SOUTH FLORIDA GAY NEWS, also known as SFGN and based in Wilton Manors, Fla., celebrated its eighth anniversary in its January 24, 2018, issue.

Bob Smith
BOB SMITH, author and standup comic, passed away on January 20, 2018, after living with ALS for 11 years. He was the first out gay standup comic to have his own HBO special and to appear on “The Tonight Show.” He was 59.

TAGG, based in Washington, D.C., entered its seventh year of publication with its January/February 2018 issue.

THE WASHINGTON BLADE and the DC Brau Brewing Company have teamed up again on a specially branded can of Brau Pils for this summer’s Pride celebration. Readers were invited to submit their original designs for consideration to the Blade for a limited-edition “Pride Pils” can. Proceeds from the sale of the special cans will benefit SMYAL and the Washington Blade Foundation.

Volume 19
Issue 12

More pubs adding “queer” and “LGBTQ” to their lexicon

by Joe Siegel

Many, but not all, LGBT publications have embraced the term “queer” and added the “Q” in “LGBTQ” when describing the community in their news coverage.

In an August 2017 editorial, OutSmart Magazine in Houston explained its use of the new terminology.

“The ‘Q’ stands for ‘queer’ or ‘questioning,’ and the change reflects our effort to be more inclusive of the entire community,” wrote editor John Wright.

As Wright points out, according to Community Marketing’s 11th annual LGBTQ Survey released in July of last year, 24 percent of millennials now identify as “queer,” as do 37 percent of “gender expansive” people. The survey also found that “LGBTQ” is now preferred over “LGBT” among millennials, and that, for the first time, the expanded abbreviation has an approval rating among baby boomers of more than 50 percent.

Based on its findings, Community Marketing concluded that “LGBTQ” is “a positive word for corporations to use today, with little negative downside.” 

“Indeed, even some mainstream publications, including the Los Angeles Times, have switched from ‘LGBT’ to ‘LGBTQ,'” Wright noted.

Ryan Howe, editor of Out Front Colorado in Denver, wrote a letter from the editor last month explaining “why we use ‘queer’ alongside ‘LGBTQ.’”

“Out Front’s staff spent many meeting and arguments on whether to use the word in our magazine,” he wrote. “… Ultimately, we settled on using ‘queer’ when both the writer and the subject of the story agree with it. … For us, ‘queer’ is used as an umbrella term for anyone who identifies as LGBTQ or something other than the worldview that promotes heterosexuality as the norm.”

Troy Masters, editor of the Los Angeles Blade, said he’s “always been a fan of the word ‘queer’ because of its breadth of meaning. Today it refers to the increasing visibility of gender queer and gender fluid people or fluid sexual identity.”

Masters said the use of “LGBTQ” is a reflection of changing times.
“As we embrace diversity it just makes sense that we become inclusive about the term we adopt to describe ourselves collectively.”

“We use ‘LGBTQ’ and the word ‘queer’ regularly in our content and have done that for several years,” added Cynthia Laird, news editor for the Bay Area Reporter in San Francisco. “The main reason is that's how more people we talk to identify. LGBTQ has also been embraced by various nonprofit organizations, so we honor that as well.”

“We use ‘LGBTQ,’ and we will use ‘queer' when subjects identify that way,” noted Kevin Naff, editor of the Washington Blade. 

Some publications choose not to use LGBTQ in their reporting.

“Our style is not to include the ‘Q’ as a general rule,” said Tammye Nash, managing editor of the Dallas Voice. “We certainly include the ‘Q’ when we are quoting someone, when it is part of the actual name of an organization or event, and there are some occasions when one of our writers includes the ‘Q’ for some other specific reason.”

Nash cited another reason for the publication’s decision.

“We have no particular objection to the ‘Q,’ and we do understand the element of inclusion. It’s just that the use of the initials ‘LGBT’ is intended to save space and time, and as more and more letters are added, it becomes increasingly clunky and, at least in my mind, a bit pretentious.”

Volume 19
Issue 12

Los Angeles Blade plans to go weekly

by Joe Siegel

The Los Angeles Blade plans to expand its coverage by publishing a weekly print edition, just one year after its biweekly debut.

The publication covers Los Angeles and California mixed with national and international coverage from the reporting team of its sister newspaper, the Washington Blade.

“After a successful first year on a biweekly print schedule, we determined that Los Angeles needs and deserves even more robust coverage of LGBTQ issues,” said publisher and editor Troy Masters. “To that end, we’re excited to deliver the Blade each week starting May 4.”

In addition to the expansion, the Los Angeles Blade announced it has hired media veteran Michael Jortner as its new advertising and marketing director. Jortner served as principal of WeHo Digital, a digital marketing agency serving small businesses in the area. Jortner is certified in digital marketing solutions by Gannett and MarketMotive.

“I’m a big believer in LGBTQ media and thrilled to join the Blade team,” said Jortner. “I look forward to working with Los Angeles businesses to reach and connect with LGBTQ consumers.”

The first weekly edition of 20,000 copies will debut May 4 at L.A. area bars, restaurants, gyms and other locations popular with area LGBT residents. 

The Los Angeles Blade and the Washington Blade are published by Brown Naff Pitts Omnimedia. The Washington Blade is the only LGBT media member of the White House press corps.

Volume 19
Issue 12

Queer media in NoCal subject of new exhibit

by Fred Kuhr

A new exhibition will highlight the history and diversity of LGBT and queer publications produced in Northern California from the 1940s through the 2000s. "Empowerment in Print: LGBTQ Activism, Pride and Lust " draws on the collection of more than 5,000 periodical titles preserved in the archives of the San Francisco-based GLBT Historical Society.

"From sober to sleek, from coy to explicit, from apolitical to militant, these publications demonstrate some of the myriad ways LGBTQ people have found empowerment in print," according to co-curators Joanna Black and Jeremy Prince. "The exhibition celebrates the important role San Francisco and our wider region have played in the creation of queer periodicals."

With one title on display for each letter of the alphabet, the show  looks to reflect “queer people from diverse communities using periodicals to form social networks, create culture, express desire and inspire activism.” The publications in the exhibit — many of them graphic — “offer a distinctive window into the intersectional identities, culture and politics of LGBTQ people at the high point of print periodicals as a means of mass communication.”

The exhibit starts with scarce private newsletters from the 1940s, when homosexuality was the object of legal and social persecution. It also displays pioneering American homophile movement journals from the 1950s, noting that the U.S. Supreme Court overtuned the ban on mailing periodicals defending homosexual people 60 years ago this year. 

The show then offers a selection of the periodicals that emerged as the movement grew in size and force and as commercial publications reached paying subscribers in the 1960s and 1970s. The periodicals on display also suggest the array of issues represented in publications from the 1980s into the 2000s and some of the ways that zine-makers have created alternatives to mainstream LGBT publications.

The exhibition includes periodicals from the Northern California cities including Albany, Berkeley, Fremont, Oakland, San Francisco, Santa Cruz and Union City. 

"Empowerment in Print" runs through May 21, 2018, at the GLBT History Museum, 4127 18th St., San Francisco. For more information, visit

Volume 19
Issue 12


Interview with Publisher Jack Tesorero
by Joe Siegel

Geographic coverage area: Throughout  Arizona with additional locations in Las Vegas, Los Angeles, San Diego and Palm Springs

Year founded: July 2001

Staff size and breakdown: 
Publisher/Founder Jack M. Tesorero, Editor Deon Brown, Creative Director Kevin Bushaw, Art Director Alex Campos, Copy Editor Austin Head, Director of Sales John Singleton, Tucson Advertising/Distribution Danny Catt, Director of Events Christopher Tong, Photographers Franklin Diaz, Leakedglass Productions, Fernando Hernandez, Scotty Kirby and RSVP Photography, Writers Addison DeWitt, Claude Edwards, Peter Lora and Miss Tiger, Distribution Paul Sanchez and Ted Kirby

Physical dimensions of publication: 5.5” x 8.5”

Average page count: 100-132

Key demographics: Gay men 18-50

Print run: 8,000

Web site:


PPQ: What feature or features of ION Arizona have been the most popular with readers? 

Publisher Jack Tesorero: Horoscopes, gossip, and bar and nightlife guides.

PPQ: Who came up with the name and what is the inspiration for it?
Tesorero:  I moved from Detroit, fell in love with Arizona and felt the national press never gave Arizona the credit it deserved. Phoenix is now the fifth latest city in the country. The original name was Eye on Arizona —  taken from a show on The Simpsons called “Eye on Springfield” — but it was shortened to IONAZ on the premier issue, then since people where trying to pronounce IONAZ phonetically (badly), we changed it to ION Arizona.

PPQ: What challenge has your publication had to overcome since its inception? 

Tesorero: Competition. When ION started, there were only two publications, both news/politics/health/opinion. We were all entertainment/lifestyle. Since 2001, there have been more than 10 publications which have come and gone. Competition drove advertising prices down. Now that there are only two left, the print media is definitely different with competition on many fronts, including social media.

PPQ: What challenge or challenges is ION Arizona facing now?

Tesorero: In order to stay competitive and profitable, we offer social media marketing packages, sometimes without an ad buy. Also, another source of income is our signature events. We host epic pool parties, a sexiest bartender fundraising contest and an LGBT Oktoberfest. We also work with local promoters and non-profits to host smaller events at local businesses.

PPQ: How has ION Arizona changed since it was first launched?

Tesorero: When we started we were 48 pages, black and white with a color cover wrap. Back then, Abercrombie & Fitch Magazine was all black and white. We had 65 locations and we were not online. Today, we are 100-132 pages, all color, perfect bound, soft touch cover with 200-plus physical locations and available online everywhere. 

PPQ: What one change would you like to make?

Tesorero: Eliminate competition. Phoenix is a big city but doesn’t need two monthly magazines, one sports magazine, a regional publication and an annual directory. Advertisers are forced to choose where to spend their money in the LGBTQ community, so everyone struggles. Plus, we are all under attack by social media and the trend to move away from traditional media.

PPQ: What's the most surprising feedback you've received from a reader?

Tesorero: Just recently, a closeted TV reporter from our local NBC affiliate was featured on our cover. He used ION to “come out” and he said it was the best experience ever and he has never been happier. He proceeded to tell this story to the entire HRC Gala last week. 

PPQ: What advice would you give to anyone who may want to launch their own LGBT publication?

Tesorero: Invest the money that you would’ve spent starting a magazine in an aggressive mutual fund. That is not a joke. I sold my Apple stock in 2001 to start the magazine. It’s worth over $1 million today.

PPQ: There have been a number of gay publications which have either downsized their staffs or ceased operations completely. Can anything be done to reverse this trend?

Tesorero: As I said before, diversification is the key for publishing survival. Of course, cutting costs is the easiest way to save money, but without income it’s irrelevant. Make money with ads, online ads, social media, graphic design, photography and events. Don’t rely on print ads for 100 percent of your income and survival.

Volume 19
Issue 12